RIGTH MEASURE: BODY, CONFESSION AND TECHNOLOGIES OF THE SELF IN IN TIMES OF NEOLIBERAL GOVERNMENTALITY

Authors

DOI:

https://doi.org/10.14210/contrapontos.v22n1.p149-174

Keywords:

Saúde, confissão, corpo, tecnologias do self, espetacularização.

Abstract

In this article, we aim to discuss the forms of constitution of the self through confession practices and ways of spectacularization of the body and health presented in the book “Rigth mesure – how we got there: with Márcio Atalla”. For that, we made use of Foucault’s conceptual tools. At first, we point out the analytical inspiration based on discourse analysis. Then, we use the analyzes carried out by Foucault on confession and self-direction practices to discuss the elements present in the analyzed book, in particular those concerning health and weight loss practices. We understand that the forms of publicizing the private self make use of confession technologies no longer based on a private confessional for a single director of souls, but, nowadays, these are supported by public and collective spectacularizations that have spectators like those a who directs and owes satisfaction. Such processes compose a discursive tangle that values the practices of the self and transforms them into consumer goods, concurrently directing both those who expose themselves and those who actively observe and participate in the direction of the other. These actions are considered here as ways of regulating and governing the contemporary self.

Author Biographies

Santiago Pich, Universidade Federal de Santa Catarina (UFSC)

Doutorado no Programa de Pós-Graduação Interdisciplinar em Ciências Humanas da Universidade Federal de Santa Catarina (UFSC). Pós-Doutorado na Universidade de Barcelona (UB). É Professor do EED/CED/UFSC. 

George Saliba Manske, Universidade do Vale do Itajaí

Doutorado em Educação (PPGEDU/UFRGS)

Professor do curso de Educação Física

Professor do PPG em Saúde e Gestão do Trabalho

Professor do PPG em Educação

Líder do Grupo de Estudos e Pesquisas em Estudos Culturais (GEPEC/CNPq)

Published

2022-05-24