Não há centro em Bagdá

Authors

  • Ada Kroef PUC-RS
  • Gisele Gallicchio PUC-RS

Abstract

Este artigo se propõe analisar a arte como composição a partir do filme Bagdá Café, de Percy Adlon, utilizando alguns conceitos de Michel Foucault, Gilles Deleuze e Félix Guattari.

Author Biographies

Ada Kroef, PUC-RS

S

Gisele Gallicchio, PUC-RS

Historiadora (UFRGS) e Mestre em História (PUCRS).

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Published

2009-03-19

Issue

Vol. 5 No. 2 (2005)

Section

Articles

License

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Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.